Monday, February 27, 2023

The Road by Cormac McCarthy (novel #217)

There were times when he sat watching the boy sleep that he would begin to sob uncontrollably but it wasn’t about death. He wasn’t sure what it was about but he thought it was about beauty or about goodness.

 

The Road is a post-apocalyptic novel set in North America. The book opens nine or ten years after a global holocaust, which took place in the late 20th or early 21st century. Nearly all animal and plant life has ended.

 

The man and his son, never named, are among the last survivors scavenging the charred earth for food. All survivors are desperate. Many are thieves. Some are murderers and cannibals. The man and the boy are good guys.

 

Which is one of two motifs McCarthy uses. The boy frequently asks if they are the “good guys.”

 

There are other good guys.

You said so.

Yes.

So where are they?

They’re hiding.

Who are they hiding from?

From each other.

Are there lots of them?

We don’t know.

But some?

Some. Yes.

Is that true?

Yes. That’s true.

 

The man often describes the two of them as “carrying the fire.”

 

The two ideas are related but separate. The meaning of “good guys” is obvious, while “carrying the fire” is never explained.

 

Ordinarily, I’m not a big fan of this technique: leaving something vague for the reader to infer. I feel like, “OK author, you had something in mind; what was it?”

 

But in this instance, I liked it. I don’t know why. There are differing interpretations for “carrying the fire”; here’s mine.

 

The “fire” is the belief that humanity is not a cosmic accident and will not be exterminated by one, the belief that we are created in the image of the Creator and are the stewards of Grace and Beauty. The holocaust destroyed everything beautiful. Carrying the fire is the hope and commitment to seeing it restored…against all hope.

 

Making the man and the boy heroes I could cheer for.

 

The boy to his father:

Are you real brave?

Just medium.

What’s the bravest thing you ever did?

He spat into the road a bloody phlegm. Getting up this morning, he said.

 

The boy was born shortly after the holocaust. He never knew the world that was. His father tells him stories of it but thinks he must seem like an alien to the boy. When the novel opens, the boy’s mother is dead; both father and son have memories of her.

 

There are moments almost like joy. They discover a bomb shelter stocked with food and provisions. The boy gives thanks to the people who prepared but were unable to use it. Such moments are few and do not last. Most days are tedious misery or paralyzing terror. The reader never expects a happy ending, but in the end…there is a glimmer of hope. The fire burns.

 

My Rating: 4 out of 5 Stars


 

 

 

This is my second reading of McCarthy. I liked Blood Meridian, which is also quite grim. I’ll read more by McCarthy, but I may schedule him amongst some lighter fare.

 

 

 

Film rendition: The 2009 film starring Viggo Mortenson and Kodi Smit-McPhee is an excellent portrayal, quite faithful to the book, well acted, and visually bleak.

 

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Thursday, February 23, 2023

What's in a Name 2023 Challenge

This is my third year taking the What’s in a Name challenge, hosted by Carolina Book Nook

 

Book titles must contain or reference…

 

A punctuation mark

One of the Seven Deadly Sins

“You” or “Me”

A Chess Piece

A Celebration

Begin with Q, X, or Z

 

My choices for these categories:

 

 

Punctuation

 

Faucault’s Pendulum

 

Umberto Eco

 

 

Seven Deadly Sins

 

Killing Floor

 

Lee Child

 

 

“You” or “Me”

 

Never Let Me Go

 

Kazuo Ishiguro

 

 

Chess Piece

 

A Connecticut Yankee in King Arthur’s Court

 

Mark Twain

 

 

Celebration

 

The Member of the Wedding

 

Carson McCullers

 

 

Q, X or Z

 

Zuleika Dobson

 

Max Beerbohm

 

 


Tuesday, February 21, 2023

American Gods by Neil Gaiman (novel #216)

They [American gods] were afraid that unless they kept pace with a changing world, unless they remade and redrew and rebuilt the world in their image, their time would already be over. ~ Narrative

 

I’ve been intrigued by this novel but also dubious. Intrigued because I think Gaiman is an artist with words, dubious because it’s a bit out of my comfort zone.

 

Intrigue won out in the end.

 

This fantasy is about American gods – the little “g” gods that immigrants brought to America, both fairly recent since the discovery of the New World and ancient, the first peoples whose origins are mostly lost in prehistory. These gods, the creations of myriad cultures, are mostly forgotten, forsaken, and feeble.

 

Yet they endure in mostly human form and often as pathetic or bitter shadows of their former glory.

 

Speaking of shadows, the main character is Shadow Moon – not a god – released from prison a few days early due to the tragic death of his wife. Shadow is a strange dude. He is shaken by nothing: not the death of his wife, nor meeting gods, leprechauns, or imps; not by talking animals, nor TV shows that speak to him. These and other chimeras appear in Shadow’s world, and he treats them as casually as finding a penny on the sidewalk.

 

Like when he meets the ghost or zombie of his dead wife…

 

Her cold hand sought his, and he squeezed it gently. He could feel his heart beating in his chest. He was scared, and what scared him was the normality of the moment.

 

That was the first thing I didn’t like. I’m certain that Gaiman intended to make Shadow hardened and aloof, but he was unbelievable.

 

The story is captivating, at times almost maddeningly so. I couldn’t figure out where it was all leading and couldn’t stop until I knew.

 

It is leading to an epic battle between the old gods and the new gods of modern America: technology, capitalism, and mass marketing, which also have embodied agents. Shadow is stuck somewhere in the middle.

 

Despite the intriguing need to know what was next, I was mostly disappointed. At first, it had a feel distinctly like Stephen King’s The Stand, but as it progressed, it felt more like Gaiman’s own Sandman. Besides Shadow’s un-believability, the ending was anti-climactic. The characters were the best parts. Odin aka Wednesday, who was the other main character, Shadow's new employer, leader of the old gods and the one calling for the war.

 

They made me. They forgot me. Now I take a little back from them. Isn’t that fair? ~ Wednesday

 

Pain hurts, just as greed intoxicates and lust burns. We may not die easy and we sure as hell don’t die well, but we can die. ~ Wednesday

 

There was Shadow’s cellmate Low Key, who turned out to be Loki. Most of the gods went by monikers that were subtle clues to their mythical identities. I caught a few, but many were lost on me. Gaiman did his research, and he can certainly write.

 

My Rating: 3 ½ out of 5 Stars




 

I’ll read more by Gaiman. I enjoyed Coraline and Stardust, but Sandman not so much. But one of the best things I’ve read by Gaiman is his foreword to the 60th-anniversary edition of Ray Bradbury’s Fahrenheit 451.

 

 

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